Phil Sargent - A New Day

Progressive jazz guitarist Phil Sargent’s second CD, A New Day, is his first release as leader since his debut, For Carl, in 2002. During the intervening years Sargent has been very busy as a sideman working with a variety of well-known band leaders such as Jerry Bergonzi, John Lockwood, Bruno Raberg and Bob Moses. He also performs and records with band mates Greg Loughman on bass and Mike Connors on drums, in the group Iskar, playing a blend of prog rock and free jazz. Sargent and Connors, also perform with the Industrious Noise Trio, an avant-garde jazz three-piece. On A New Day, Sargent, Loughman and Connors are joined by pianist, John Funkhouser and vocalist, Aubrey Johnson for seven tracks of Sargent’s original compositions. Sargent is as much a composer as he is performer, writing not only specifically for this quintet, but also for his other outlets. Although lengthy improvisations are a key element of his music, his compositions are intricate, comprised with complex harmonies and elaborate melodies...MORE...

Phil Sargent - Live at Ryles Jazz Club, Cambridge, MA (June 11, 2010)

Phil Sargent with his five-piece jazz group (Sargent, guitar; Aubrey Johnson, voice; John Funkhouser, piano; Greg Loughman, bass; and Mike Connors, drums) performed live at Ryles Jazz Club in Cambridge, MA on June 11, 2010 in support of their recently released CD, A New Day. Upon seeing the low stage the first sights to catch the eye are the grand piano, the upright bass and compact drum set. With Sargent’s rock and fusion influences it is somewhat surprising to see these traditional acoustic instruments. But, approaching the setup one can see an array of pedals on the floor in front of the guitar, leading to the assumption that at least some electronic effects will be employed. The band launches the first set with an unrecorded composition and Sargent immediately makes use of the pedals by controlling the volume to eliminate string attacks, resulting in a bowed string quality from his guitar. But, the most distinctive feature of the band is the use of voice as another instrument. Aubrey Johnson wordlessly voices melodic lines in tight unison with Sargent’s guitar and occasionally takes a free ranging vocal solo. Soon pianist, Funkhouser, is leaning inside the piano and tapping strings with a mallet as he runs a finger slide across them. He also blows softly on a melodian (a wind instrument with a small one-octave keyboard) during quieter moments...MORE...

Ellen Rowe Quartet - Wishing Well

Wishing Well, the Ellen Rowe Quartet’s second release, is, among other things, a concise study in modern jazz composition for small ensembles. The only piece not composed by Ms. Rowe is the Dietz and Schwartz standard, “Alone Together.” Ms. Rowe’s music is highly structured yet rich with melodic, rhythmic and distinctive tonal assets ripe for development and improvisation. Broadly speaking the compositions are simply formatted—intro, theme, solos, theme and coda—but the thematic material is often a complex and multiple motif blending of lyrical melodies and uncommon rhythmic and tonal attributes. These fertile concepts are often elaborately developed before the improvisational sections begin. Tenor and soprano saxophonist, Andrew Bishop, is also an accomplished composer (though not on this recording) as admirably demonstrated through his deft handling of the thematic resources at hand. The other two members of the quartet are Kurt Krahnke on bass and Pete Siers on drums. They are joined on two tracks (“For That Which Was Living, Lost” and “Longing”) by Ingrid Jensen (Berklee College of Music, Maria Schneider Jazz Orchestra) on flugelhorn...MORE...